Music Works in Audio
There are various types of musical works in audio files.
Orchestration work
Soil Of Imperial Power
(2021）
This innovative work combines traditional Hunan opera—Xiang opera—with symphonic music composition. I was responsible for the arrangement. The story is set in the late Qing Dynasty, during a time of social unrest and turmoil, and follows a group of young university students who seek a path to save the country and its people.
Music composed for a stage play
Inspired by the drama script of Bird written by David Harrower (UK), the composed theme for the theatrical version follows a clear ABC structure, tracing Una’s journey from childhood fantasy through darkness and pain, to a final return to shared reality—bridging her memories with the audience’s present.
Black Bird (2022)
Theme Music
(Chamber Version)
Black Bird
(Electronic Version)
This prelude, used at the beginning of the drama, sets the tone and atmosphere, encapsulating the entire production's emotional arc and central theme.
This cadence, placed at the drama’s end, symbolizes the emergence of reality as the girl chooses to free herself from painful obsession and the weight of the past.
This soundscape was created to enhance the immersive experience of the experimental play "Sea" at the Xie Zilong Art Gallery in Changsha, Hunan. The purpose was to transport the audience into the emotions and atmosphere of the play, which follows a young man's night at the beach where he encounters various people and gains a new perspective on life. The entire museum space was decorated by environmental installations and made the space into a beach environment so that the audience can sit on the "beach" to watch the show. In line with this theme, different musical designs were incorporated to create a sense of being in a beach fantasy.
The Sea
(For Immersive Drama Performance, 2024）
The Soundscape Music
for Stage Installation
(best experienced with headphones.)
The Background Music
The background music was composed during the middle of the drama’s development and integrated into the performance as it evolved.
Music Composed for Yunnan Indigenous Art Festival
The Story of Nu River
(2023, Electroacoustic
Music, Prelude to the Art Festival Concert)
This prelude to the Yunnan Ethnic Arts Festival – Water Music concert honors the Nu and Lisu ethnic groups. Based on field recordings across Yunnan, it blends their distinct musical traditions—Nu’s rhythmic mountain songs and Lisu’s lyrical choruses—with natural and ceremonial sounds. The piece reflects their coexistence along the Nu River while celebrating their unique sonic identities.
Music Composed for Ambisonic Tech. Research
Echo of Gamelan explores electroacoustic composition through Ambisonics, creating an immersive spatial soundscape. Using a Max/MSP patch developed by me. Gamelan improvisations were recorded and spatialized in 3D. The work blends original and processed sounds, offering a layered listening experience inspired by live electroacoustic performance.
This is a binaural downmix for online listening—please use headphones for convenience.
Echo of Gamelan
(2018, Electroacoustic
Composition)
Music Composed for Various purposes
Music Composed by My Electronic Music Band – Forest Band
Forest Band is a Co-performed electroacoustic music band performed me, TT (PhD in Quantum Physics), and Dawood (sound designer), these piece was programmed using Ableton Live. Inspired by science theories and fictions, we try to take listeners on an imaginative, dreamlike journey.
A Flying Journey from the Bottom of the Sea with Darwin
(2018, Electroacoustic
performance live recording)
To find our way, we have gone through the forest and the sea, the past and the future.
(2018, Electroacoustic
performance live recording)
These pieces were created for the pure joy of exploration and experimentation. Without the constraints of formal composition, I embraced spontaneity and creative freedom, allowing myself to play with new ideas and sounds.